Recent studies about resistance music in the United States primarily focus on the hip-hop movement. However, it does not offer the only musical discourse contesting contemporary injustices. Even though the debate about hip-hop is a crucial one that deserves full attention, it seems necessary to widen the current conversation on music to take into account a wider array of musical genres and artists. This will in turn allow us to see the revolutionary power of music in its full force. In the United States, black music, from the Spirituals to Rhythm and Blues, has undeniably been a potent agent for social change. Because they enable strangers to identify with each other through a common discourse, songs from many different genres have fostered what Benedict Anderson calls “imagined communities.”

This content is only available via PDF.
You do not currently have access to this content.