Charles Johnson's novel, Middle Passage, and S.I. Martin's novel, Incomparable World, illustrate through mobile, culturally hybrid protagonists Paul Gilroy's notion of Black Atlantic consciousness, which is based on cultural hybridity and physical mobility across the Atlantic between Europe and Africa, America and the Caribbean. I argue that both novels blur the line between freedom and slavery, between oppressed and oppressor, and disrupt the links between blackness and slavery, between mobility and freedom. In both novels the diasporic Black Atlantic experiences privilege masculinity, since neither novel includes black women who can experience the mobility that the male protagonists do.
Middle Passage to Freedom: Black Atlantic Consciousness in Charles Johnson's Middle Passage and S. I. Martin's Incomparable World
- Views Icon Views
- Share Icon Share
- Search Site
Robert Nowatzki; Middle Passage to Freedom: Black Atlantic Consciousness in Charles Johnson's Middle Passage and S. I. Martin's Incomparable World. Ethnic Studies Review 1 January 2003; 26 (1): 12–28. doi: https://doi.org/10.1525/esr.2003.26.1.12
Download citation file: