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wanda-sykes

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Journal Articles
Departures in Critical Qualitative Research (2016) 5 (3): 10–32.
Published: 01 September 2016
...Katelyn Hale Wood This essay theorizes how black feminist comedic performance queers white supremacist and heteronormative notions of time by centering Wanda Sykes's performance in her comedy special I'ma Be Me and her performance at the White House Correspondents' Dinner—both in 2009. Sykes's...
Journal Articles
Departures in Critical Qualitative Research (2018) 7 (2): 1–7.
Published: 01 June 2018
... (2016): 1–9; Kaetlyn Hale Wood, “Cracking Up Time: Black Feminist Comedic Performance and Queer Temporalities in the Standup of Wanda Sykes,” Departures in Critical Qualitative Research 5, no. 3 (2016): 10–32; Marquis Bey, “The Shape of Angels’ Teeth: Toward a Blacktransfeminist Thought through the...
Journal Articles
Departures in Critical Qualitative Research (2016) 5 (3): 1–9.
Published: 01 September 2016
... working-two-jobs-for-money-but-really-four-jobs as a single parent and my chauffer to and from school from wherever we were living, 1990 was chaotic and scary. The collection opens with Katelyn Hale Wood's theorization of Wanda Sykes as a black feminist comedic performer whose jokes address and...
Journal Articles
Departures in Critical Qualitative Research (2016) 5 (3): 133–144.
Published: 01 September 2016
... visible victories not only for African American women, but also for producing Black feminist material that speaks to contemporary issues. Yet there are dangers in interpreting simple inclusion as resistance. Kaetlyn Hale Wood's article on Wanda Sykes's comedy quite rightly recognizes the power of mediated...