How do Black feminism and womanism foster interconnectedness to one another and the sacred? What knowledges manifest through collective practices of wondering and wandering together? This essay provides reflections on our own engagements with creative-relational inquiry, manifested through our collective practice, Hill L. Waters, a scholar–artist collective rooted in love, Black queer resistance, and art as activism. Organized around and through three corresponding moments, this poetic essay embodies creative-relational inquiry and narrates our process of collectivity. Ultimately, this essay demonstrates how collectivity as a writing practice, political commitment, and identity translates Black feminist and womanist theory into praxis.

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