In this personal essay I reflect on the first ten months of a fifteen-year performance project. As performance director, my role in the artistic team “Weekly Ticket Footscray” is to shape and document a weekly two-hour performance by performer David Wells at Footscray Train Station in Melbourne, Australia. Interviewing members of the artistic team and using my own writing, I describe our discoveries and new understandings, the first steps in this evolving public performance work.
Dancing in-between: The Artist at the Station
Merophie Carr is a performance maker, teacher, and academic living in Melbourne, Australia. She has a life-long interest in site-specific performance and creating unexpected moments of wonder in the public realm. She is currently a PhD candidate at Monash University. Email: email@example.com.
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Merophie Carr; Dancing in-between: The Artist at the Station. Departures in Critical Qualitative Research 1 June 2017; 6 (2): 16–24. doi: https://doi.org/10.1525/dcqr.2017.6.2.16
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