This is a performative condensation of the pieces in this special issue, underscoring certain lines of significance and some of the outlines of emergent theoretical and descriptive trajectories in them. It is written in the mode of a backup singer.
© 2016 by the Regents of the University of California. All rights reserved. Request permission to photocopy or reproduce article content at the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
2016
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