Kathleen Stewart describes Ordinary Affects as an experiment set in “a present that began some time ago.” In this essay, I consider voice similarly, as not bound by a temporal linearity, but as voice of duration, absent of origin and as an articulation of a present that began some time ago, always becoming. I conclude with an experimentation of voice in the form of what I name lines of articulation.

Keywords:
Affect, Voice, Collective assemblages of enunciation
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2016
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