Taking up Kathleen Stewart's “New England Red,” the authors dialogue about the post-phenomenological perspective offered in Stewart's compositional writing, drawing on the turns in philosophy to the object, ontology, and twenty-first century media's production of a “worldly sensibility.”
© 2016 by the Regents of the University of California. All rights reserved. Request permission to photocopy or reproduce article content at the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
2016
You do not currently have access to this content.
University of California Press