Notes

Notes
1
Eugen Neuhaus, William Keith, the Man and the Artist (Berkeley, 1938), p. 81.
2
Aldine, Apr. 1874, p. 73
Robert Ernest Cowan, Forgotten Characters of Old San Francisco (Los Angeles: Ward Ritchie Press, 1938)
San Francisco Examiner, March 4, 1925, p. 11.
5
Mary Barwick Welles, as in note 3 above.
7
Vergil Barker, American Painting (New York, 1950), p. 526
Carl W. Drep- pert, American Pioneer Arts and Artists (Springfield, Mass., 1942), pp. 105-106.
8
Bessie Louise Pierce, A History of Chicago (New York & London: Alfred A. Knopf, 1937-40), I, 314-15.
9
Daily Dispatch (Seattle), Dec. 5,1872.
10
Pierce, as in note 8 above.
11
Ibid.
12
Porter Butts, Art in Wisconsin (Madison: Madison Art Assoc., 1936), p. 70.
13
Ibid.
14
Butts, op. cit., p. 103.
15
Ibid., p. 74
18
J. Warring Wilkinson, in "Our Art Possibilities," Overland Monthly, II (March 1869), 253
"The Original Paintings of John James Audubon," Metropolitan Mus. of Art Miniatures, Album XO, text by Robert Cushman Murphy (New York, 1957), Introduction.
19
William Carey Jones, Illustrated History of the University of California (San Francisco, 1895), p. 218.
20
Avery, op. cit., p. 72.
21
Calif. Art Gallery, San Francisco, May 1873, I, No. 5, p. 68.
22
The Annals of the Bohemian Club ... from its beginning in the year eight- een hundred and seventy two..., ed. by Robert H. Fletcher (San Francisco, 1898), Appendix.
24
Jones, as in note 19 above, pp. 222-23.
26
Note 21 above.
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