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sculpture

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Journal Articles
Classical Antiquity. 2005; 24141–79 doi: https://doi.org/10.1525/ca.2005.24.1.41
Published: 01 April 2005
..., iconography, or locations. Stories that ultimately derive from such misunderstandings of statues are Monument-Novellen, a term coined by Herodotean studies. Applying the concept of iconatrophy to Greek sculpture of the Archaic and Classical periods yields three possible examples in which statues standing in...
Journal Articles
Classical Antiquity. 1990; 9114–39 doi: https://doi.org/10.2307/25010919
Published: 01 April 1990
...] 1151-94) 67 Daniel Miller and Christopher Tilley ("Ideology, Power and Prehis- tory: An Introduction," in Miller and Tilley, eds., Ideology, Power and Prehistory [Cambridge, 1984]) ELEANOR WINSOR LEACH The Politics of Self-Presentation: Pliny's Letters and Roman Portrait Sculpture CLASSICAL...
Journal Articles
Classical Antiquity. 1987; 61139–159 doi: https://doi.org/10.2307/25010861
Published: 01 April 1987
...) II, 664-66 N. Yalouris, "Olympia," in R. Stillwell, ed., The Princeton Encyclopedia of Classical Sites (Princeton 1976) 649-50. Ashmole and Yalouris, 9: "Whoever the sculptors were, the style is remarkably homogeneous," A. W. Lawrence, Greek and Roman Sculpture (London 1972) 124 2...
Journal Articles
Classical Antiquity. 1972; 5147–152 doi: https://doi.org/10.2307/25010636
Published: 01 January 1972
... Coins (New York 1946) n. 8 L. Lacroix, Les Reproductions de Statues sur les Monnaies Grecques (Liège 1949) B. Ashmole, "The relation between coins and sculpture," Transactions of the International Numismatic Congress 1936, 17-22. 6 Lacroix, p. 25 7 R. Bräuer, "Die Heraklestaten auf...
Journal Articles
Classical Antiquity. 1970; 399–113 doi: https://doi.org/10.2307/25010601
Published: 01 January 1970
...Seymour Howard [Footnotes] 1 nn. 3 and 4 2 M. Bieber, The Sculpture of the Hellenistic Age, ed. 2 (New York 1961) 204 G. M. A. Richter, The Portraits of the Greeks (London 1965) III, 293ff. E. Buschor, Das hellenistische Bildnis (Munich 1949) G. Hafner, Spathellenistische...
Journal Articles
Classical Antiquity. 2015; 34133–73 doi: https://doi.org/10.1525/CA.2015.34.1.33
Published: 01 April 2015
... its publications, and their failure to account for the totality of the object's information—sculptural and epigraphic—let alone the range of rhetorical ambiguities that its texts and images implied in their fifth-century context. While the paper reflects on the Samos Stele (the meanings of the...
Journal Articles
Classical Antiquity. 2020; 3911–28 doi: https://doi.org/10.1525/ca.2020.39.1.1
Published: 01 April 2020
Journal Articles
Classical Antiquity. 2020; 39195–125 doi: https://doi.org/10.1525/ca.2020.39.1.95
Published: 01 April 2020
... culture are found in other kinds of works treating historical themes, whether dramatic (praetextae) or historiographical.7 In addition, the relevance of material evidence of various kinds (vases, paintings, sculpture) should not be underestimated.8 Virgil s relation with these materials is complex and...
Journal Articles
Classical Antiquity. 2018; 37163–107 doi: https://doi.org/10.1525/ca.2018.37.1.63
Published: 01 April 2018
Journal Articles
Classical Antiquity. 2019; 382185–216 doi: https://doi.org/10.1525/ca.2019.38.2.185
Published: 01 October 2019
Journal Articles
Classical Antiquity. 2019; 382250–274 doi: https://doi.org/10.1525/ca.2019.38.2.250
Published: 01 October 2019
... immortality. In composing for publication a work in memory of a youth, Pliny highlights a direct connection between the arts, whether painting, sculpture, or literature, primarily because they all function to bestow immortality upon their author.44 So, for example, he praises Titinius Capito as an individual...
Journal Articles
Classical Antiquity. 2019; 382298–363 doi: https://doi.org/10.1525/ca.2019.38.2.298
Published: 01 October 2019
Journal Articles
Classical Antiquity. 2012; 312349–389 doi: https://doi.org/10.1525/CA.2012.31.2.349
Published: 01 October 2012
...Zahra Newby This paper explores the use of art to recreate violent mythological landscapes in Roman domestic ensembles. Focusing on the Niobids found in two imperial horti it argues that the combination of sculpture and landscape exerted a powerful imaginative effect over ancient viewers, drawing...
Journal Articles
Classical Antiquity. 2019; 38191–140 doi: https://doi.org/10.1525/ca.2019.38.1.91
Published: 01 April 2019
Journal Articles
Classical Antiquity. 2019; 38158–90 doi: https://doi.org/10.1525/ca.2019.38.1.58
Published: 01 April 2019
Journal Articles
Classical Antiquity. 2018; 372267–320 doi: https://doi.org/10.1525/ca.2018.37.2.267
Published: 01 October 2018
Journal Articles
Classical Antiquity. 2016; 352189–214 doi: https://doi.org/10.1525/ca.2016.35.2.189
Published: 01 October 2016
... Pyrrichos: : | | Of Mnasitheos I am the mnema on the road, beautiful. But he set me up, Pyrrichos, in place of long-ago affection.3 While archaic funerary sculptures and bases inscribed with epigrams survive in great numbers, this stele is one of only a handful of such monuments with both elements...
Journal Articles
Classical Antiquity. 2018; 371151–185 doi: https://doi.org/10.1525/ca.2018.37.1.151
Published: 01 April 2018
... spaces of mid-imperial Greek cities was at once a visual product of rhythmic colonnades and serial sculptural arrays, and the thematic effect implicit in repeated reference to a common set of myths, histor- ical figures, and political traditions. The new prominence of such unity stemmed largely from two...
Journal Articles
Classical Antiquity. 2018; 371108–150 doi: https://doi.org/10.1525/ca.2018.37.1.108
Published: 01 April 2018
... 109 above. There is, in effect, a sub-genre of Attic drama that we might call pilgrim- age drama. 8 In Euripides Ion, for example, Creusa and Xuthus travel to Delphi to consult the oracle; a chorus of women accompany them and remark on the pedi- mental sculpture of the temple of Apollo. Creusa...
Journal Articles
Classical Antiquity. 2017; 362288–316 doi: https://doi.org/10.1525/ca.2017.36.2.288
Published: 01 October 2017
... reports that he revered her most of all the gods (67.1.2). On Minerva s central place in Domitian s building program, see Anderson 1983 and Darwall-Smith 1996: 115 29. 20. See Prioux 2008: 273 304. Prioux reads both Hercules sculptures (177, 178) as references to Domitian, and both images related to...