The present paper discusses the (im)permanence of objects and memory in Sappho and Alcaeus in the context of archaic Greek poetry and of their reception in antiquity. After a methodological introduction, the paper analyzes several texts by Alcaeus and Sappho, with special attention to the dynamics of proper names, family memories, and female kleos. The main texts analyzed are: Alcaeus fr. 140 Voigt; the unnoticed allusion to this fragment in Virgil, Aeneid 7.170–86; and Sappho fr. 98 Voigt.

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