In this article the authors explore the use of “California,” its translations, and associated phrases in the nine languages collected in the Google Books corpora since 1525. The article graphs the use across time, analyzes the data, and considers some of the reasons behind the peaks and troughs of the usage of “California” and related phrases. For those new to computational corpus analysis, this article introduces the techniques and concepts of corpus analysis, explains the strengths and weaknesses of large-scale, longitudinal studies of language, and describes the specific methods applied in this analysis. Across all languages, the frequency of “California” increases steadily until the late 1990s. The article also examine the use of the notable but infrequently used phrase “California dream.” Visualizations of the analyses accompany the article, as well as additional graphs comparing the use of Los Angeles to San Francisco and Northern California to Southern California since 1800.

A Boyle Heights children’s storytelling hour resulted from a collaboration between six UCLA researchers and Libros Schmibros, an independent bookstore and lending library in Boyle Heights, which took place over four months in 2016. The project explored how small-scale staged literary interventions like a storytelling hour could have a productive impact on a community. The initiative came about as a way to promote something called “literary justice,” which is premised on the idea of a culture that embraces stories as a part of life as part of a community-building effort. It is achieved when all members of a community have equal access to books and stories, stemming from numerous studies that demonstrate that a person’s access to literature is a strong indicator for a host of quality-of-life measures. This effort in Boyle Heights aimed to show what happens when, instead of going to a public library to make use of it, here the public library comes to the people.

For author Robert Alter, moving from the Northeast to California meant moving from academic institutions with firmly established hierarchies to a place characterized by openness and flexibility. Comparative Literature at Berkeley made it possible for the author to explore a wide range of literary interests, and this eventually led him to teach and write on the Bible and then to begin to translate it. His impulse to break decisively with prevailing modern models of Bible translation was encouraged by California's atmosphere of innovation.

A review of recent wine literature.

The largest and most controversial WW II era confinement site for Japanese Americans was at Tule Lake in extreme northern California. Though decommissioned in 1946, the camp has left an indelible mark in the local landscape and in the lives of those confined there. Tule Lake has had a unique set of circumstances that allowed for the camp to take on a second life. Its utility infrastructure is still in use today and the distribution and repurposing of its barracks buildings contributed to the success of the last phase of area homesteading by WW II veterans. It is now also the site of organized pilgrimage events by Japanese Americans with personal connections to it and as such, serves as the epicenter for a virtual community of interested persons. This paper investigates the camp’s continued legacy by examining its effect on community development, what remains physically, the imprint of place on former incarcerees, and, what the future holds for its interpretation as a National Historic Site. The topic is addressed by examining the social and aesthetic implications of the continued use of its infrastructure, the post-war movement and repurposing of its buildings, the retention of an intact barbed-wire-enclosed portion for housing, and the touchstones visited by former incarcerees and their families today. Research methods included field inventory, archive and literature review, participation in a pilgrimage event, and nearly four decades of personal interaction with the site and its community.

While Los Angeles’s San Gabriel Valley is best known for being the “first suburban Chinatown,” it is actually a lively, multiethnic, and multiracial community with a complex past, and an emerging arts scene that celebrates that complexity. Today, the “SGV” constitutes the largest, majority-Asian American and Latino community in the United States. Its social and cultural mix make it a vibrant example of suburban cosmopolitanism, in which diverse residents live in relative harmony, with mutual respect for difference. Local groups such as the South El Monte Arts Posse have begun to make work that reflects this ethos, and could reshape normative ideas of what it means to be American.

Dana Gioia provides his accounting of his work as California’s tenth Poet Laureate. Originally delivered to the California Senate Rules Committee, this interview accounts for Gioia’s understanding of how poetry and the arts can connect with ordinary Californians in collaborative ways. Additionally, Gioia’s poem, “A California Requiem,” accompanies the interview.

Thousands of women who survived the Vietnam War, whose husbands were sent to reeducation camps after working with American military, now live in the US, where nail salons anchor almost every strip mall and flourish inside luxury malls as well. The history of how Vietnamese women came to work in the nail industry and how Americans became accustomed to manicures and pedicures is entwined with the loss of home and landscape.

An interview with California’s unofficial state historian, exploring Starr’s rationale for his work, along with his understanding of the nature of California values, and what it means to be a Californian. From here to Starr’s recent book, Continental Ambitions , and the many figures and features that have influenced Starr’s understanding of California, this interview moves forward in Starr’s characteristic polymathic style, covering encyclopedic terrain. Additionally, it explores the role that religion and especially Roman Catholicism have played in California’s narrative, and in Starr’s own understanding of California and its place in the world.

Moving back and forth from Los Angeles to San Francisco, this essay travels back in time to an imported experience of African American culture that came to the West Coast. Part of a familial culture, which converged with this place amidst the streets, and trees, and family heirlooms, this essay explores what it is about California that makes it a place of such incredible placemaking. Journeying through George’s own California and how to understand this place amidst the interruptions and ways of being here, the essay concludes acknowledging California’s existence between myth and reality, wherein passes California.

Jonathan Crisman and Jason Sexton interview Karen Tei Yamashita about motivating and influential features behind her novels and plays, which are difficult to define by genre: they have been called science fiction, speculative fiction, postmodern, postcolonial, magic realist, and most certainly experimental. Between her transnational history, her role as a maker, and the strong spatiality of her writing, Yamashita’s insights have shaped the way urban humanities are practiced. Her landmark 1997 novel, Tropic of Orange , has become a key text and model for creative practice for urban humanists based in Los Angeles.

Creative practices are needed to address the range of issues that confront contemporary cities—issues of social justice, economic development, and environmental quality. Urban humanities emphasize innovative methods and practices, which evolve along with shifting epistemologies in multidisciplinary confluence, standing in contrast to a current dominant narrative that contemporary cities depend upon attracting a creative group of citizens. Recent efforts the LA River, driven by a motley crew of people set out to reimagine new possibilities for the river, illustrating that the city as an object of study intrinsically carries implications about action and about the future. This manifesto offers a call to action for scholars to become engaged, creative urban practitioners.

Founded in 1919, UCLA is nearing its first centenary, but the university builds on humanistic and liberal arts traditions that are many centuries long and globally diffused. The core disciplines that we recognize today as comprising the Humanities have deep roots in these institutional, cultural, and technological histories. But yet, for all its grand ambitions for reckoning with the world, the university has remained by and large an isolated institution, walled in and often walled off from its surrounding community, accessible to a chosen few, stratified by economic, social, and racial differences, and perhaps too invested in the security of its storied past. The Urban Humanities initiative is an attempt both to apply conventional tools in unconventional ways and to invent new tools by respecting the fundamental virtue of bricks, namely their porous nature. Is it possible to decolonize knowledge? If so, the studio courses it develops will have profound implications for the role of the classroom, syllabus, and for rethinking and developing new knowledge and practices.

Urban Humanities is emerging as a set of academic programs, scholarly approaches, and research agendas. Employing the conceptual tool “immanent speculation” this essay sets forth a proposal for practicing an inherently unknowable future in order to create the conditions for that future to unfold. In contrast to theory-laden speculative philosophy, or to the incrementalism of design in the built environment, or even to the extreme opposite of ungrounded utopianism, immanent speculation rigorously extracts latent alternative realities embedded in a place through the method of making. It does so with the consequence that these other worlds—whether fully realized or not—expand our notion of what could be, and aims to decolonize the future from the forward march of time, from the imperfect conditions of the present, freeing it to become something just beyond what we imagine as possible while pulling from sites and places where we live, requiring ongoing work at all levels of society.

Boom’s quarterly guide to new books to read, places to visit, and things to do in California.

Folsom Prison’s Greystone Chapel is perhaps the most famous California prison chapel, thanks to Johnny Cash. Open to all inmates is a great beacon of hope for everyone in a place that is, by all definitions, a massive failure of a social engineering experiment. Yet within the structures of the prison and deeply embedded into the life of the chapel are opportunities for renewal, and people who offer themselves and their lives in audacious ways—and at incredible risk—for the good of all. This is true when inmates break ranks from gang affiliations in pursuit of a lifestyle change, bonding together with members of other races from the newfound community, seeking a way out of the intense life on the yard, however deep they may be into the prison dynamics.