This article examines the significance of a growing trend in Southern Californian art, tour art that invites viewers to move through the landscape in unusual ways and perceive their surroundings in new ways. Examples of this trend include the work of the Center for Land Use Interpretation, the LA Urban Rangers, and Kim Stringfellow’s Jackrabbit Homestead project.
This content is only available via PDF.
© 2011 by the Regents of the University of California
2011
University of California Press