Revisiting Helena María Viramontes’s classic 1995 novel Under the Feet of Jesus, this essay brings together Chicana/o literary studies, sound studies, and food studies scholarship to consider how the novel visualizes and represents sound and hunger. Through close readings, I explore the relationship between sonic representations, food, and hunger in the novel and argue that the experience of hunger paradoxically produces the main character’s political force. I argue that Viramontes’s exploration of the complex relationship between hunger and audible protest is concretized in her main protagonist’s character arc. Through Estrella, Viramontes unveils the despair produced by hunger, a potent human drive that can spark growing political agency. This essay affi rms the enduring value of Viramontes’s classic in the current environment, in which food access continues to be eroded by neoliberal policies, and novel forms of contestation and protest are crucial tools of resistance and survival.
Radical Hunger: Food, Sound, and Chicana Political Awakening in Helena María Viramontes’s Under the Feet of Jesus
Amanda Ellis is assistant professor of English at the University of Houston. She holds degrees in English and ethnic studies and specializes in twentieth- and twenty-first-century Mexican American literature, multiethnic literature, and American literature and culture. Her research interests include medical humanities, critical race and gender studies, and young adult literature. She is working on a book manuscript titled “Letras y Limpias: Decolonial Medicine and Holistic Healing in Mexican American Literature,” which probes the intersections of embodied suffering, curanderismo, and decoloniality in Mexican American literature.
Amanda Ellis; Radical Hunger: Food, Sound, and Chicana Political Awakening in Helena María Viramontes’s Under the Feet of Jesus. Aztlán 1 March 2019; 44 (1): 83–110. doi: https://doi.org/10.1525/azt.2019.44.1.83
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