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Keywords: Tuaấn MamiClose
Afterimage (2020) 47 (3): 66–90.
Published: 01 September 2020
...Brianne Cohen This essay offers a comparative analysis of two moving-image artworks, UuDam Tran Nguyen's Serpents' Tails (2015) and Tuaấn Mami's In One's Breath—Nothing Stands Still (2018), in order to address questions of contemporary artmaking, ecological devastation, and the public sphere...