..., and educator living in the San Francisco Bay area. NOTE 1. See www.trackingtransience.net. a corpus lives on stan vanderbeek: the culture intercom mit list visual arts center cambridge, massachusetts february 4 april 3, 2011 It is imperative that we (the world s artists) invent a new world language . . Stan...

..., and educator living in the San Francisco Bay area. NOTE 1. See www.trackingtransience.net. a corpus lives on stan vanderbeek: the culture intercom mit list visual arts center cambridge, massachusetts february 4 april 3, 2011 It is imperative that we (the world s artists) invent a new world language . . Stan...

... that the proliferation of photography created this crisis of representation, quoting Roger Caillois, who wrote that “the living being, the organism, is no longer the origin of the coordinates, but is one point among others.” 51 This framework perhaps helps explain not just the desire for the dissolution of the self...

... or subjecthood. In their writing and visual imagery, surrealists continually ap­ proach vision as one of the most theorized senses. Ribe- mont-Dessaignes, in Dada Painting or the Oil-Eye, de­ clared that sight is the lowest sense, so low that it should sim­ ply be worn under the sole of one s boot...

..., quarantined yet together. Apart, but also “a part” of one another. I am thinking and writing this review in my basement, in Milwaukee, Wisconsin, in late May. I hear my four children playing and banging upstairs. My pregnant wife just went to Target, mask on, belly bump out, worrying over how many people...

... while living a near-penniless existence alongside his subjects. Whether living with African Americans in the rural South, sleeping in the slums of East Coast cities, mingling with Ku Klux Klan members, or attending gala dinners in Houston, the diversity of the subjects Holdt photographed is remarkable...

... gestures toward a mode of self- archivization, a recording of one s experiences that relays the visceral within a specific space and temporality. The production of individual stories, revolving around specific lives or local events, works to represent the subject within a transmissible, visual mode...

... the show was divided represent one aspect of this contextual armature, assisting the viewer’s intuition regarding each individual photographer’s motivations and concerns, as well as fostering meaningful associative connections among the photographs, and the issues, writ large. The titles of the six...

... in a particular institution, but rather involves the whole system or apparatus that enables such artifacts to exist (including the actual institutional building itself). In this model, the archive is already a construct, a corpus that is the product of a discourse. One must dig to make sense of the systems...

..., interviews, and theo re tica l w orks about the em erging cinemas of the Caribbean diaspora. In this book Cham has taken on the formidable task of identifying, codifying, and compiling not only those film s that constitute the burgeoning Caribbean cinem atic corpus (from Hollywood films in Caribbean locales...

... in America (with racism, inequality, violence, penury, toil, and rapacious capital high on the checklist), it is the personal narrative that emerges from the exhibition most prominently and is one of its greatest strengths. More than anything this is Holdt s view of America, and the titular love and hope...

... the limits of the body and its other corpus, extending the amorphic body into the liminal netherworld of x-rays. Contradictory yet uncannily suited, the images that constitute Systemic Onset generate a vertiginous swirl that grips the spectator, arresting one s desire to assimilate the scene. Indeed, one...

... the well-known names of Edison, Louis Lumiere, D. W. Grif­ fith and Edwin Porter. Equal space, howev­ er, is given such lesser known names as Ital- bly linked with the early growth of cine­ ma. 4 The five chapters comprising The Last Machine allude to the breadth of these possibilities. One also longs...

... to leave the critical decision to future generations is a strong one. After all, it s easier to let someone else do the thinking. If you wait a while other photographers will have had a look. They ll adapt what they like and, before you know where you are, connections with the mainstream will have been...

... Homeland (2016, 40 mindocument the lived experiences of Syrian migrants. These nominations signal the increasing visibility of an emergent genre of documentary shorts that focus on the Syrian crisis and survivor stories. These documentary shorts, which we consider instances of activist media,1 are produced...

... big chill." 17:9, p. 2. "A town called malice." 17:10, p. 2. Kirby, Vicki. "Habeas corpus" (book review: Fragments for a History of the Human Body: Parts One. Two and Three, ed. Michel Feher with Ramona Naddaff and Nadia Tazi). 17:3, pp. 8-9. Kolpan, Steven. "Playing politics" (interactive software...

... aspects of its purpose. The editors' succinct, potent statement about the book's format is particularly reso­ nant: "The facsimile form allows us to dis­ cern in residual form the living movement of history." Some 60 texts, including reviews of exhibitions, letters to editors, exhibition brochures...

..., (415) 642-3065. The Chilmark Photography Workshop, on Martha s Vineyard, tenth season, from July 9-29. A wide range of subjects taught by a faculty with distinguished professional and academic qualifica­ tions. Excellent darkroom facilities. Tuition: One week $300, two weeks $465, three weeks $600...

..., (415) 642-3065. The Chilmark Photography Workshop, on Martha s Vineyard, tenth season, from July 9-29. A wide range of subjects taught by a faculty with distinguished professional and academic qualifica­ tions. Excellent darkroom facilities. Tuition: One week $300, two weeks $465, three weeks $600...

... Landscapes. March 20-April 18. St. Louis: First-Street Forum, 717 N. First lic Library, 245 Main St. Robert Bordeau; Lois Conner; Goodwin Harding; John Yang. Through March 13. Jed Devine; Re­ gina Deluise; Robert Kozma; Curt Richter/ Four Photographers: One Medium. March 18-April 30. Rochester: International...