..., and educator living in the San Francisco Bay area. NOTE 1. See www.trackingtransience.net. a corpus lives on stan vanderbeek: the culture intercom mit list visual arts center cambridge, massachusetts february 4 april 3, 2011 It is imperative that we (the world s artists) invent a new world language . . Stan...

..., and educator living in the San Francisco Bay area. NOTE 1. See www.trackingtransience.net. a corpus lives on stan vanderbeek: the culture intercom mit list visual arts center cambridge, massachusetts february 4 april 3, 2011 It is imperative that we (the world s artists) invent a new world language . . Stan...

... of visual effects important in surrealist art.” 48 Cohen adds to key ideas from Krauss’s 1985 essay “Corpus Delicti,” which had described how surrealists were interested in animal mimicry that merges self and setting in a way that resonates with Georges Bataille’s idea of the informe . 49 Krauss...

... in Secrets in the Open Sea —the various group photos that come back from the foreign labs—narratives about its pictures are dominated by processes of export and inaccessibility to the viewer. In learning that this or that group of pictured men was killed, or now live at some anonymous city in the US...

... Her metal bracelets (in Man Ray s photograph idues, fixed by light and chemical elements, of living or­ ganisms. 7 This notion of the photograph as residue (rather than as a sign system such as language) attempts to close HONOR LASSALLE is a photographer and student in the master s program at New York...

... are familiar with the general concept—if not practice—of GPS (Global Positioning System) art. Using live software to track a walk, run, or bicycle ride, the vestigial traces of our embodied performance turned dis -embodied data make lines and curves to construct a pencil-like drawing on internet-based maps...

... while living a near-penniless existence alongside his subjects. Whether living with African Americans in the rural South, sleeping in the slums of East Coast cities, mingling with Ku Klux Klan members, or attending gala dinners in Houston, the diversity of the subjects Holdt photographed is remarkable...

... then put the images together to construct something from the shards of experience. 3 Art, in this case, is not a luxury, a leisure-time pursuit, or a reaction to complex philosophical or art-historical questions that have little to do with lived reality. In a world that has become fragmented and violent...

... because Americans tend to view “war” as distinct from the domestic, environmental impact of the war machine. As Best writes, “the majority of environmental damage we live with was caused by our own military and the expansive network of industries supporting it.” 7 While traditional studies of landscape...

... in a particular institution, but rather involves the whole system or apparatus that enables such artifacts to exist (including the actual institutional building itself). In this model, the archive is already a construct, a corpus that is the product of a discourse. One must dig to make sense of the systems...

..., interviews, and theo re tica l w orks about the em erging cinemas of the Caribbean diaspora. In this book Cham has taken on the formidable task of identifying, codifying, and compiling not only those film s that constitute the burgeoning Caribbean cinem atic corpus (from Hollywood films in Caribbean locales...

... the work and allowed a broader audience to encounter Holdt s extraordinary corpus. andrew joneS is a doctoral candidate in American Studies at the University of Texas at Austin. Surveillance in Suburbia high value targets By Cheryl Pagurek Patrick Mikhail Gallery Ottawa, Canada January 6 February 8, 2010...

.... For Higgins, it is the superficiality that marks the exemplary scene of violence: reduced to surfaces, the contemporary body can never recover its lost depths it is destined to circulate in an economy of appearances. The Fragility of Connectedness Irish-born painter Alan M ontgom ery, now living in Minnesota...

... analysis presented, and through this process, find personal significance therein. In doing so, history becomes a living thing, enriching the culture by enriching the individual. Still from The Paris-Monte Carlo Run in Two Hours (1905) by Georges Melids. All images from The Last Machine: Early Cinema...

... photographers produced in Britain during the present century have spent important parts of their life abroad. Until the young reach out for that larger con­ text it is difficult to see how they will get beyond this state of unrealized potential. David Reed DAVID REED is a critic who lives in London. Familiar...

... a corpus of anti-capitalist cultural resistance and speculative futures. Haraway maintains that though dire, dwelling within the trouble of capitalism’s despoilment of nature is generative because “staying with the trouble requires making oddkin; that is, we require each other in unexpected collaborations...

... Homeland (2016, 40 mindocument the lived experiences of Syrian migrants. These nominations signal the increasing visibility of an emergent genre of documentary shorts that focus on the Syrian crisis and survivor stories. These documentary shorts, which we consider instances of activist media,1 are produced...

... big chill." 17:9, p. 2. "A town called malice." 17:10, p. 2. Kirby, Vicki. "Habeas corpus" (book review: Fragments for a History of the Human Body: Parts One. Two and Three, ed. Michel Feher with Ramona Naddaff and Nadia Tazi). 17:3, pp. 8-9. Kolpan, Steven. "Playing politics" (interactive software...

... aspects of its purpose. The editors' succinct, potent statement about the book's format is particularly reso­ nant: "The facsimile form allows us to dis­ cern in residual form the living movement of history." Some 60 texts, including reviews of exhibitions, letters to editors, exhibition brochures...

.... Charles Traub: Aug. 20 and 21, fee: $90. George Tice: Aug. 28, fee: $50. (914) 679-9957. SOURCES CROSSING THE CORPUS CALLOSUM Small literary magazines have long been an outlet for writers of poetry and fiction. Lately, some of these publications have also be­ come showcases for visual art, especially...