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Journal Articles

From the Editor

Karen (Ren) vanMeenen
Journal: Afterimage
Afterimage (2024) 51 (3): 1–2.
https://doi.org/10.1525/aft.2024.51.3.1
Published: 01 September 2024
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Journal Articles

Review: Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy , by Diana Kamin

Renée Brown
Journal: Afterimage
Afterimage (2024) 51 (3): 102–107.
https://doi.org/10.1525/aft.2024.51.3.102
Published: 01 September 2024
View article titled, Review: Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy , by Diana Kamin
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Journal Articles

Review: A New Structural Transformation of the Public Sphere and Deliberative Politics , by Jürgen Habermas

Max L. Feldman
Journal: Afterimage
Afterimage (2024) 51 (3): 108–122.
https://doi.org/10.1525/aft.2024.51.3.108
Published: 01 September 2024
View article titled, Review: A New Structural Transformation of the Public Sphere and Deliberative Politics , by Jürgen Habermas
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Journal Articles

A Third Kind of Bollywood: Experimentation, Netflix, and Amar Singh Chamkila

Ashish Dwivedi
Journal: Afterimage
Afterimage (2024) 51 (3): 18–27.
https://doi.org/10.1525/aft.2024.51.3.18
Published: 01 September 2024
View article titled, A Third Kind of Bollywood: Experimentation, Netflix, and Amar Singh Chamkila
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Journal Articles

Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology

Justin Keever, Alexander Rudenshiold
Journal: Afterimage
Afterimage (2024) 51 (3): 28–49.
https://doi.org/10.1525/aft.2024.51.3.28
Published: 01 September 2024
View article titled, Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology
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Journal Articles

Trying to See What Isn’t There

Jon Davies
Journal: Afterimage
Afterimage (2024) 51 (3): 3–17.
https://doi.org/10.1525/aft.2024.51.3.3
Published: 01 September 2024
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Journal Articles

I Know It When I Hear It: Ekphrasis and Audio Description Pornography

Lucy Weisner
Journal: Afterimage
Afterimage (2024) 51 (3): 50–70.
https://doi.org/10.1525/aft.2024.51.3.50
Published: 01 September 2024
View article titled, I Know It When I Hear It: Ekphrasis and Audio Description Pornography
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Journal Articles

Can the Alienated Helper Speak?: Exploring Burnout among Art Assistants in Contemporary Art

Tereza Stejskalová
Journal: Afterimage
Afterimage (2024) 51 (3): 71–86.
https://doi.org/10.1525/aft.2024.51.3.71
Published: 01 September 2024
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Journal Articles

Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation

Brian Arnold
Journal: Afterimage
Afterimage (2024) 51 (3): 87–92.
https://doi.org/10.1525/aft.2024.51.3.87
Published: 01 September 2024
View article titled, Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation
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Journal Articles

Review: The Beauty of Choice: On Women, Art, and Freedom , by Wendy Steiner

Alisia Grace Chase
Journal: Afterimage
Afterimage (2024) 51 (3): 93–101.
https://doi.org/10.1525/aft.2024.51.3.93
Published: 01 September 2024
View article titled, Review: The Beauty of Choice: On Women, Art, and Freedom , by Wendy Steiner
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Images
Harold Lotor in captivity, with The Artifact attached to his spine, in Bac...

Harold Lotor in captivity, with The Artifact attached to his spine, in Bac...

in Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology > Afterimage
Published: 01 September 2024
Harold Lotor in captivity, with The Artifact attached to his spine, in Backbone (EggNut, 2021). More about this image found in Harold Lotor in captivity, with The Artifact attached to his spine, in Bac...
Images
Lotor is consumed by The Artifact, outside of the city, in Backbone (EggN...

Lotor is consumed by The Artifact, outside of the city, in Backbone (EggN...

in Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology > Afterimage
Published: 01 September 2024
Lotor is consumed by The Artifact, outside of the city, in Backbone (EggNut, 2021). More about this image found in Lotor is consumed by The Artifact, outside of the city, in Backbone (EggN...
Images
The biomass of The Warden Unit keeping a human alive in SOMA (Frictional ...

The biomass of The Warden Unit keeping a human alive in SOMA (Frictional ...

in Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology > Afterimage
Published: 01 September 2024
The biomass of The Warden Unit keeping a human alive in SOMA (Frictional Games, 2015). More about this image found in The biomass of The Warden Unit keeping a human alive in SOMA (Frictional ...
Images
The perspective of the player character in SOMA , looking at their prior a...

The perspective of the player character in SOMA , looking at their prior a...

in Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology > Afterimage
Published: 01 September 2024
The perspective of the player character in SOMA , looking at their prior avatar after copying into a second body. More about this image found in The perspective of the player character in SOMA , looking at their prior a...
Images
Untitled image

Untitled image

in Review: A New Structural Transformation of the Public Sphere and Deliberative Politics , by Jürgen Habermas > Afterimage
Published: 01 September 2024
More about this image found in Untitled image
Images
Jürgen Habermas at a discussion in Munich, 2007.

Jürgen Habermas at a discussion in Munich, 2007.

in Review: A New Structural Transformation of the Public Sphere and Deliberative Politics , by Jürgen Habermas > Afterimage
Published: 01 September 2024
Jürgen Habermas at a discussion in Munich, 2007. More about this image found in Jürgen Habermas at a discussion in Munich, 2007.
Images
Photo taken in Heidelberg in April 1964 by Jeremy J. Shapiro at the Max Web...

Photo taken in Heidelberg in April 1964 by Jeremy J. Shapiro at the Max Web...

in Review: A New Structural Transformation of the Public Sphere and Deliberative Politics , by Jürgen Habermas > Afterimage
Published: 01 September 2024
Photo taken in Heidelberg in April 1964 by Jeremy J. Shapiro at the Max Weber Institute of Sociology. Front: Max Horkheimer and Theodor W. Adorno; back left: Siegfried Landshut; back right (hand in hair): Jürgen Habermas. More about this image found in Photo taken in Heidelberg in April 1964 by Jeremy J. Shapiro at the Max Web...
Images
Installation view of Alexey Brodovitch: Astonish Me at The Barnes Foundat...

Installation view of Alexey Brodovitch: Astonish Me at The Barnes Foundat...

in Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation > Afterimage
Published: 01 September 2024
Installation view of Alexey Brodovitch: Astonish Me at The Barnes Foundation, Philadelphia, 2024; photograph by Alexander Rotondo. More about this image found in Installation view of Alexey Brodovitch: Astonish Me at The Barnes Foundat...
Images
Tricorne (1935) by Alexey Brodovitch; Philadelphia Museum of Art; from the...

Tricorne (1935) by Alexey Brodovitch; Philadelphia Museum of Art; from the...

in Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation > Afterimage
Published: 01 September 2024
Tricorne (1935) by Alexey Brodovitch; Philadelphia Museum of Art; from the Collection of Dorothy Norman, 1968; courtesy Philadelphia Museum of Art. More about this image found in Tricorne (1935) by Alexey Brodovitch; Philadelphia Museum of Art; from the...
Images
Harper’s Bazaar cover by A.M. Cassandre (September 15, 1939); collection o...

Harper’s Bazaar cover by A.M. Cassandre (September 15, 1939); collection o...

in Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation > Afterimage
Published: 01 September 2024
Harper’s Bazaar cover by A.M. Cassandre (September 15, 1939); collection of Vince Aletti; Harper’s Bazaar, Hearst Magazine Media, Inc. Harper’s Bazaar, Hearst Magazine Media, Inc./© 2024 Approval A.M. Cassandre/Artists Rights Society (ARS), New York. More about this image found in Harper’s Bazaar cover by A.M. Cassandre (September 15, 1939); collection o...