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Images
in Review: The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment , by Annie Dell’Aria
> Afterimage
Published: 01 June 2022
Reclaiming The Monument (2020) by Dustin Klein and Alex Criqui; photograph by Zach Fichter. More
Images
Published: 01 June 2022
Ginza 4 Chome P.X. (1946, printed 1993) by Tsuneko Sasamoto; collection of Tokyo Photographic Art Museum. More
Images
Published: 01 June 2022
The Victoria Terminus, Bombay (c. early 1940s) by Homai Vyarawalla; Homai Vyarawalla Archive/The Alkazi Collection of Photography. More
Images
Published: 01 June 2022
Fishermen on a small boat sailing off the northeastern coast of Ethiopia to net sharks, from Hauling Sharks (1988) by Robert Gardner; courtesy Documentary Educational Resources. More
Images
Published: 01 June 2022
Composite of images from Forsaken Fragments ; courtesy Documentary Educational Resources. More
Images
Published: 01 June 2022
Close-up of the elderly !Kung San woman /Gasa, who is the focus of The Old Lady aka A Human Document (1958) by Robert Gardner; courtesy Documentary Educational Resources. More
Images
Published: 01 June 2022
Robert Gardner (left) and Robert Fulton flying over the Andes to film glaciers in It Could Be Good, It Could Be Bad (1997) by Robert Gardner; courtesy Documentary Educational Resources. More
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in Anticipating Brazil’s Redemocratization in the Early 1980s: Preparação II and Tarefa I , Two Works of Video Art by Letícia Parente
> Afterimage
Published: 01 June 2022
Still from Preparação II (1976) by Letícia Parente; © 2021 André Parente; courtesy Galeria Jacqueline Martins. More
Images
in Anticipating Brazil’s Redemocratization in the Early 1980s: Preparação II and Tarefa I , Two Works of Video Art by Letícia Parente
> Afterimage
Published: 01 June 2022
Still from Tarefa I (1982) by Letícia Parente; © 2021 André Parente; courtesy Galeria Jacqueline Martins. More
Images
in Anticipating Brazil’s Redemocratization in the Early 1980s: Preparação II and Tarefa I , Two Works of Video Art by Letícia Parente
> Afterimage
Published: 01 June 2022
Still from Preparação II (1976) by Letícia Parente; © 2021 André Parente; courtesy Galeria Jacqueline Martins. More