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Images
Published: 28 December 2020
Image 1. Exhibition view of The Museum of Transology ; courtesy E. J. Scott More
Images
Published: 28 December 2020
Image 2. “Suited” outfit (n.d.) by Simon Croft; courtesy E. J. Scott More
Images
Published: 28 December 2020
Image 3. Exhibition view of The Museum of Transology ; courtesy E. J. Scott. More
Images
Published: 28 December 2020
Image 4. Exhibition view of The Museum of Transology ; courtesy E. J. Scott. More
Images
Published: 28 December 2020
Image 1. I Only Dreamt of the World, But Never Saw it , from Obscuro Barroco (2018) by Evangelia Kranioti; © 2018 Evangelia Kranioti; courtesy ADAGP. Copyright Agency, 2020. More
Images
Published: 28 December 2020
Image 2. Apple in the Dark from Obscuro Barroco (2018) by Evangelia Kranioti; © 2018 Evangelia Kranioti; courtesy ADAGP. Copyright Agency, 2020. More
Images
Published: 28 December 2020
Image 3. The Instant Now from Obscuro Barroco (2018) by Evangelia Kranioti; © 2018 Evangelia Kranioti; courtesy ADAGP. Copyright Agency, 2020. More
Images
Published: 28 December 2020
Image 4. Allegory from Obscuro Barroco (2018) by Evangelia Kranioti; © 2018 Evangelia Kranioti; courtesy ADAGP. Copyright Agency, 2020. More
Images
Published: 28 December 2020
Image 5. I Am Obscure to Myself from Obscuro Barroco (2018) by Evangelia Kranioti; © 2018 Evangelia Kranioti; courtesy ADAGP. Copyright Agency, 2020. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 1. Miners from the series Land Claim (2014–15) by Thomas Kneubühler. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 2. Traders from the series Land Claim (2014–15) by Thomas Kneubühler. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 3. Still from Trop tôt/Trop tard (Too Early, Too Late, 1981) by Danièle Huillet and Jean-Marie Straub. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 4. Still from Forward Looking Statements (2014) by Thomas Kneubühler. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 5. Still from Reclamation (2018) by Thirza Cuthand. More
Images
in Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work
> Afterimage
Published: 28 December 2020
Image 6. Still from Reclamation (2018) by Thirza Cuthand. More
Images
Published: 28 December 2020
Image 1. Installation view of a.O .– b.c . An audiovisual diary (2020); courtesy State of Concept; photograph by Alexandra Masmanidi. More
Images
Published: 28 December 2020
Image 2. Dignity-Solidarity (2008) by Voltnoi Berge at State of Concept; courtesy State of Concept; photograph by Alexandra Masmanidi. More
Images
in End of an Era: Taipei Fine Arts Museum’s Cartier-Bresson Exhibition Spotlights Decisive Historical Moment
> Afterimage
Published: 28 December 2020
Image 1. In the Forbidden City, ten thousand recruits line up to form a new Nationalist regiment. Peking, December 1948 by Henri Cartier-Bresson; © Fondation Henri Cartier-Bresson/Magnum Photos. More
Images
in End of an Era: Taipei Fine Arts Museum’s Cartier-Bresson Exhibition Spotlights Decisive Historical Moment
> Afterimage
Published: 28 December 2020
Image 2. Installation view of Henri Cartier-Bresson: China 1948–1949/1958, on view June 20 – November 1, 2020, at the Taipei Fine Arts Museum; courtesy Taipei Fine Arts Museum. More
Images
in End of an Era: Taipei Fine Arts Museum’s Cartier-Bresson Exhibition Spotlights Decisive Historical Moment
> Afterimage
Published: 28 December 2020
Image 3. Installation view of Henri Cartier-Bresson: China 1948–1949/1958, on view June 20 – November 1, 2020, at the Taipei Fine Arts Museum; courtesy Taipei Fine Arts Museum. More
