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Journal Articles

From the Editor

Karen (Ren) vanMeenen
Journal: Afterimage
Afterimage (2022) 49 (3): 1–3.
DOI: https://doi.org/10.1525/aft.2022.49.3.1
Published: 01 September 2022
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Journal Articles

Exhibition Review: Tuan Andrew Nguyen: Unburied Sounds

Stephanie Huber
Journal: Afterimage
Afterimage (2022) 49 (3): 103–106.
DOI: https://doi.org/10.1525/aft.2022.49.3.103
Published: 01 September 2022
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Journal Articles

Review: People, Practice, Power: Digital Humanities Outside the Center , edited by Anne B. McGrail, Angel David Nieves, and Siobhan Senier

Michael J. Kramer
Journal: Afterimage
Afterimage (2022) 49 (3): 107–111.
DOI: https://doi.org/10.1525/aft.2022.49.3.107
Published: 01 September 2022
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Journal Articles

Review: Soviet Onion , by Clifton Meador

Emily McVarish
Journal: Afterimage
Afterimage (2022) 49 (3): 112–117.
DOI: https://doi.org/10.1525/aft.2022.49.3.112
Published: 01 September 2022
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Journal Articles

Review: Cut/Copy/Paste: Fragments from the History of Bookwork , by Whitney Trettien

Anne M. Royston
Journal: Afterimage
Afterimage (2022) 49 (3): 118–123.
DOI: https://doi.org/10.1525/aft.2022.49.3.118
Published: 01 September 2022
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Journal Articles

Screen Violence from Settler Colonialism to Cognitive Capitalism: Westworld and the Player Piano

Henrik Gustafsson
Journal: Afterimage
Afterimage (2022) 49 (3): 23–45.
DOI: https://doi.org/10.1525/aft.2022.49.3.23
Published: 01 September 2022
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Journal Articles

The Illusionist: A Conversation with Guillaume Bijl

Michaël Amy
Journal: Afterimage
Afterimage (2022) 49 (3): 4–22.
DOI: https://doi.org/10.1525/aft.2022.49.3.4
Published: 01 September 2022
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Journal Articles

Reorienting Grass : How a Musical Score Transforms an Orientalist Documentary

Babak Elahi
Journal: Afterimage
Afterimage (2022) 49 (3): 46–72.
DOI: https://doi.org/10.1525/aft.2022.49.3.46
Published: 01 September 2022
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Journal Articles

Project Earth and Art’s Exposability

Lucy Steeds
Journal: Afterimage
Afterimage (2022) 49 (3): 73–95.
DOI: https://doi.org/10.1525/aft.2022.49.3.73
Published: 01 September 2022
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Journal Articles

Exhibition Review: DANGER: We Forge the Future!

Yoli Terziyska
Journal: Afterimage
Afterimage (2022) 49 (3): 96–102.
DOI: https://doi.org/10.1525/aft.2022.49.3.96
Published: 01 September 2022
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Images
Untitled image

Untitled image

in Review: People, Practice, Power: Digital Humanities Outside the Center , edited by Anne B. McGrail, Angel David Nieves, and Siobhan Senier > Afterimage
Published: 01 September 2022
More
Images
Installation view of Unburied Sounds (2022) by Tuan Andrew Nguyen.

Installation view of Unburied Sounds (2022) by Tuan Andrew Nguyen.

in Exhibition Review: Tuan Andrew Nguyen: Unburied Sounds > Afterimage
Published: 01 September 2022
Installation view of Unburied Sounds (2022) by Tuan Andrew Nguyen. More
Images
Still from The Unburied Sounds of a Troubled Horizon (2022) by Tuan Andre...

Still from The Unburied Sounds of a Troubled Horizon (2022) by Tuan Andre...

in Exhibition Review: Tuan Andrew Nguyen: Unburied Sounds > Afterimage
Published: 01 September 2022
Still from The Unburied Sounds of a Troubled Horizon (2022) by Tuan Andrew Nguyen. More
Images
Soviet Onion (2021) by Clifton Meador; courtesy the artist.

Soviet Onion (2021) by Clifton Meador; courtesy the artist.

in Review: Soviet Onion , by Clifton Meador > Afterimage
Published: 01 September 2022
Soviet Onion (2021) by Clifton Meador; courtesy the artist. More
Images
Soviet Onion , book 2: “Tbilisi in 1958” (2021) by Clifton Meador; courtesy...

Soviet Onion , book 2: “Tbilisi in 1958” (2021) by Clifton Meador; courtesy...

in Review: Soviet Onion , by Clifton Meador > Afterimage
Published: 01 September 2022
Soviet Onion , book 2: “Tbilisi in 1958” (2021) by Clifton Meador; courtesy the artist. More
Images
Soviet Onion , book 5: “Tbilisi Tiny” (2021) by Clifton Meador; courtesy th...

Soviet Onion , book 5: “Tbilisi Tiny” (2021) by Clifton Meador; courtesy th...

in Review: Soviet Onion , by Clifton Meador > Afterimage
Published: 01 September 2022
Soviet Onion , book 5: “Tbilisi Tiny” (2021) by Clifton Meador; courtesy the artist. More
Images
Untitled image

Untitled image

in Review: Cut/Copy/Paste: Fragments from the History of Bookwork , by Whitney Trettien > Afterimage
Published: 01 September 2022
More
Images
Page from “To My Fancie Upon Theophila” in Theophila (1652) by Edward Ben...

Page from “To My Fancie Upon Theophila” in Theophila (1652) by Edward Ben...

in Review: Cut/Copy/Paste: Fragments from the History of Bookwork , by Whitney Trettien > Afterimage
Published: 01 September 2022
Page from “To My Fancie Upon Theophila” in Theophila (1652) by Edward Benlowes, folio EC65 B4387 652t, fol. B3r, Kislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania. More
Images
Example of the marginal icon used in Cut/Copy/Paste .

Example of the marginal icon used in Cut/Copy/Paste .

in Review: Cut/Copy/Paste: Fragments from the History of Bookwork , by Whitney Trettien > Afterimage
Published: 01 September 2022
Example of the marginal icon used in Cut/Copy/Paste . More
Images
Laibach performs at DANGER: We Forge the Future! (May 2022); photograph b...

Laibach performs at DANGER: We Forge the Future! (May 2022); photograph b...

in Exhibition Review: DANGER: We Forge the Future! > Afterimage
Published: 01 September 2022
Laibach performs at DANGER: We Forge the Future! (May 2022); photograph by Ari Matsuoka; courtesy a/political. More