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Images
Published: 01 September 2020
IMAGE 1 Installation view of US (2018) by Willie Baronet; photograph by Matt Milhouse. More
Images
Published: 01 September 2020
IMAGE 2 Workers Loading Neon “Damaged” Sign into Truck, West Eleventh Street, New York City (1928–30) by Walker Evans. More
Images
Published: 01 September 2020
IMAGE 3 “Best Restaurants in Times Square,” ny.eater.com , Shutterstock. More
Images
Published: 01 September 2020
IMAGE 4 BOMBING FOR PEACE IS LIKE FUCKING FOR VIRGINITY (n.d.) by unknown photographer. More
Images
Published: 01 September 2020
IMAGE 5 Old Saybrook, Connecticut (1973) by Walker Evans. More
Images
in Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo
> Afterimage
Published: 01 September 2020
IMAGES 1-2 Stills from Reinforced Concrete (2012) by Lucas Ferraço Nassif. More
Images
in Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo
> Afterimage
Published: 01 September 2020
IMAGES 3-4 Stills from Reinforced Concrete (2012) by Lucas Ferraço Nassif. More
Images
in Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo
> Afterimage
Published: 01 September 2020
IMAGE 5 Bustox (2014) by ERRO Grupo; photograph by Pedro Bennato. More
Images
in Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo
> Afterimage
Published: 01 September 2020
IMAGE 6 Bustox (2014) by ERRO Grupo; photograph by Gustavo Tirelli. More
Images
in Fetish, Demolition, Ruins: On a Brazilian Video from Labour in a Single Shot and a Performance by ERRO Grupo
> Afterimage
Published: 01 September 2020
IMAGE 7 Bustox (2014) by ERRO Grupo; photograph by Gustavo Tirelli. More
Images
Published: 01 September 2020
IMAGE 1 Still from Vertical Roll (1972) by Joan Jonas; courtesy the artist and Gavin Brown's enterprise, New York/Rome. More
Images
Published: 01 September 2020
IMAGE 2 Still from How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) by Hito Steyerl; image CC 4.0 Hito Steyerl; courtesy the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. More
Images
Published: 01 September 2020
IMAGE 3 Still from How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) by Hito Steyerl; image CC 4.0 Hito Steyerl; courtesy the artist; Andrew Kreps Gallery, New York; and Esther Schipper, Berlin. More
Images
Published: 01 September 2020
IMAGE 4 Still from Grosse Fatigue (2013) by Camille Henrot; courtesy the artist; Silex Films; Metro Pictures, New York; kamel mennour, Paris/London; and König Galerie, Berlin. More
Images
Published: 01 September 2020
IMAGE 5 Still from Grosse Fatigue (2013) by Camille Henrot; courtesy the artist; Silex Films; Metro Pictures, New York; kamel mennour, Paris/London; and König Galerie, Berlin. More
Images
Published: 01 September 2020
IMAGE 6 Sandbox (2010) by Rafael Lozano-Hemmer; photograph by Antimodular Research; courtesy the artist. More
Images
Published: 01 September 2020
IMAGE 7 Sandbox (2010) by Rafael Lozano-Hemmer; photograph by Antimodular Research; courtesy the artist. More
Images
Published: 01 September 2020
IMAGE 1 “Labyrinth” from In the Shoulder Season (Love Letter #2) (2020) by Kelly Kirshtner; courtesy the artist. More
Images
Published: 01 September 2020
IMAGE 2 Instagram Story Archive “scroll” (“turning at the surface to breathe”) from In the Shoulder Season (Love Letter #2) (2020) by Kelly Kirshtner; courtesy the artist. More
Images
Published: 01 September 2020
IMAGE 3 Preparation for In the Shoulder Season (Love Letter #2) (2020) by Kelly Kirshtner; courtesy the artist. More
