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Volume 51, Issue 3
September 2024
Afterimage Cover Image for Volume 51, Issue 3
ISSN 0300-7472
EISSN 2578-8531
In this Issue

Editorial

From the Editor
Karen (Ren) vanMeenen
View Articletitled, From the Editor
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Essays

Trying to See What Isn’t There
Jon Davies
View Articletitled, Trying to See What Isn’t There
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A Third Kind of Bollywood: Experimentation, Netflix, and Amar Singh Chamkila
Ashish Dwivedi
View Articletitled, A Third Kind of Bollywood<span class="subtitle-colon">: </span><span class="subtitle">Experimentation, Netflix, and <em>Amar Singh Chamkila</em></span>
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Articles

Theorizing the After-Human in Video Games: Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology
Justin Keever, Alexander Rudenshiold
View Articletitled, Theorizing the <em>After-Human</em> in Video Games<span class="subtitle-colon">: </span><span class="subtitle">Flesh and Intersubjectivity against Residual Humanisms through Merleau-Ponty’s Phenomenology</span>
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I Know It When I Hear It: Ekphrasis and Audio Description Pornography
Lucy Weisner
View Articletitled, I Know It When I Hear It<span class="subtitle-colon">: </span><span class="subtitle">Ekphrasis and Audio Description Pornography</span>
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Can the Alienated Helper Speak?: Exploring Burnout among Art Assistants in Contemporary Art
Tereza Stejskalová
View Articletitled, Can the Alienated Helper Speak?<span class="subtitle-colon">: </span><span class="subtitle">Exploring Burnout among Art Assistants in Contemporary Art</span>
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Exhibition Review

Exhibition Review: Alexey Brodovitch: Astonish Me at the Barnes Foundation
Brian Arnold
View Articletitled, Exhibition Review: <em>Alexey Brodovitch: Astonish Me</em> at the Barnes Foundation
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Book Reviews

Review: The Beauty of Choice: On Women, Art, and Freedom, by Wendy Steiner
Alisia Grace Chase
View Articletitled, Review: <em>The Beauty of Choice: On Women, Art, and Freedom</em>, by Wendy Steiner
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Review: Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy, by Diana Kamin
Renée Brown
View Articletitled, Review: <em>Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy</em>, by Diana Kamin
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Review: A New Structural Transformation of the Public Sphere and Deliberative Politics, by Jürgen Habermas
Max L. Feldman
View Articletitled, Review: <em>A New Structural Transformation of the Public Sphere and Deliberative Politics</em>, by Jürgen Habermas
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All Issues
Sickly Sweet: The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)
Contemporary Black Brazilian Cinema: Off-screen, BlackSpace, and Beyond
Immersion into the Datascape: Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience
Black Brazilian Cinema: Conversations with Filmmakers
Exhibition Review: Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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