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Issues

Volume 5, Issue 1-2
May-June 1977
Issue Cover
ISSN 0300-7472
EISSN 2578-8531
Holmes leaves Polaroid, support policy revised
Fran Keenan
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Letters

Brazilian photography: an exchange
Weston J. Naef, Charles Desmarais
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Reviews

Open and shut case
Robert Heinecken
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Meaning in a shallow plane
Martha Chahroudi
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Backyard romantic
Ilka Normile
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Light lines
Candida Finkel
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Widely seen
Jane Smith
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Spiritual reflections
Gretchen Garner
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Five Photojournalists
Elaine A. King
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Index to Afterimage, Volume 4
View Articletitled, Index to Afterimage, Volume 4
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Received and noted
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Correspondents

Philadelphia: An ‘explosion’ of interest and activity
Stephen Perloff
View Articletitled, Philadelphia<span class="subtitle-colon">: </span><span class="subtitle">An ‘explosion’ of interest and activity</span>
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San Francisco: Historical shows outshine the contemporary
Hal Fischer
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Washington, D.C.: Man Ray, a multifaceted master
Mark Power
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News Notes

News Notes
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Sources

Sources
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Products

Products
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Notices

Notices
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Second Section: Report on the Second Conference on Photographic Criticism

Photographic criticism in an educational context
Terry Barrett, Pamela Linehan
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Photographic criticism as art object
Byron Henderson
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On photographic criticism
Robert Leverant
View Articletitled, On photographic criticism
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Contemporary bias and the time-displaced photograph
Martha Chahroudi
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The photograph as mentioned
James Hugunin
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All Issues
Sickly Sweet: The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)
Contemporary Black Brazilian Cinema: Off-screen, BlackSpace, and Beyond
Immersion into the Datascape: Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience
Black Brazilian Cinema: Conversations with Filmmakers
Exhibition Review: Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
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