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Issues

Volume 5, Issue 1-2
May-June 1977
Afterimage Cover Image for Volume 5, Issue 1-2
ISSN 0300-7472
EISSN 2578-8531
Holmes leaves Polaroid, support policy revised
Fran Keenan
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Letters

Brazilian photography: an exchange
Weston J. Naef, Charles Desmarais
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Reviews

Open and shut case
Robert Heinecken
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Meaning in a shallow plane
Martha Chahroudi
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Backyard romantic
Ilka Normile
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Light lines
Candida Finkel
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Widely seen
Jane Smith
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Spiritual reflections
Gretchen Garner
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Five Photojournalists
Elaine A. King
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Index to Afterimage, Volume 4
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Received and noted
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Correspondents

Philadelphia: An ‘explosion’ of interest and activity
Stephen Perloff
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San Francisco: Historical shows outshine the contemporary
Hal Fischer
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Washington, D.C.: Man Ray, a multifaceted master
Mark Power
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News Notes

News Notes
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Sources

Sources
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Products

Products
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Notices

Notices
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Second Section: Report on the Second Conference on Photographic Criticism

Photographic criticism in an educational context
Terry Barrett, Pamela Linehan
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Photographic criticism as art object
Byron Henderson
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On photographic criticism
Robert Leverant
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Contemporary bias and the time-displaced photograph
Martha Chahroudi
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The photograph as mentioned
James Hugunin
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All Issues
Decadent Scenography: Angel Rose Denman, Hollywood Goth
From Gallery to the Globe: Evoking Environmental Responsibility in Australian Interactive Art, 1990–2010
Review: Camera Geologica: An Elemental History of Photography, by Siobhan Angus
Enigmas of the Ancient Jesuit Guaraní Missions: A Visual Essay on the World Heritage Site of São Miguel Arcanjo
Digital Witness: Revolutions in Design, Photography, and Film. Los Angeles County Museum of Art
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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