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Volume 49, Issue 1

March 2022

ISSN 0300-7472

EISSN 2578-8531

In this Issue

Editorial
Features
Dossier
Articles
Exhibition Review
Book Reviews

Editorial

From the Editor

Karen (Ren) vanMeenen

Features

Where We Fit in the Firmament: A Conversation with Allison Maria Rodriguez

Marcus Civin

Where There’s Smoke and the Generative Documentary: A Conversation with Lance Weiler

Vicki Callahan

Dossier

Mediated Identifications: José Esteban Muñoz and Visual Studies

Joshua Javier Guzman, Iván A. Ramos

With and Without, Wise and Otherwise, José and José

Lucas Hilderbrand

The Brown Commons in the Time of Pandemic: Reflections on Zoom and Livestreamed Performance

Homay King

Sensing Brownness: On Racialization, Perception, and Method

Amber Jamilla Musser

Gossip, the Common Denominator

Richard T. Rodríguez

Unprofessional: A Postscript

Nao Bustamante

Articles

Joan Jonas’s Ecological Portraits: Echo and Narcissus

Alex Zivkovic

Red Planets: Cinema, Deserts, and Extraction

Daniel Mann

The Lag Manifesto

The Digital Inequality Lab

Exhibition Review

Exhibition Review: Devour the Land: War and American Landscape Photography since 1970

James Cunning Holland

Book Reviews

Review: Culture Strike: Art and Museums in an Age of Protest, by Laura Raicovich

Georgia Phillips-Amos

Review: Cinque viaggi (1990–98), by Guido Guidi

Brian Arnold

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Screen Violence from Settler Colonialism to Cognitive Capitalism: Westworld and the Player Piano

Project Earth and Art’s Exposability

The Illusionist: A Conversation with Guillaume Bijl

Reorienting Grass: How a Musical Score Transforms an Orientalist Documentary

Exhibition Review: DANGER: We Forge the Future!

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Online ISSN 2578-8531
Print ISSN 0300-7472
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