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Volume 46, Issue 1
March 2019
Issue Cover
ISSN 0300-7472
EISSN 2578-8531
In this Issue
Editorial Note
View Articletitled, Editorial Note
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Features
Strange Brew: Art, Protest, and the Anti-Fracking Movement
Matthew Ryan Smith
View Articletitled, Strange Brew: Art, Protest, and the Anti-Fracking Movement
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The Essay in Space and Time: A Conversation with Filmmaker Mark Cousins
Janina Ciezadlo
View Articletitled, The Essay in Space and Time: A Conversation with Filmmaker Mark Cousins
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Leigh Merrill: The Manner of Desires
Peter S. Briggs
View Articletitled, Leigh Merrill: The Manner of Desires
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Reading Forensics: La Biblioteca Roja: Brevísima relación de la destrucción de los libros
Laura Shackelford
View Articletitled, Reading Forensics: <em>La Biblioteca Roja: Brevísima relación de la destrucción de los libros</em>
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Exhibition Reviews
Exhibition Review: All I Know Is What’s On The Internet
Harriet Riches
View Articletitled, Exhibition Review: <em>All I Know Is What’s On The Internet</em>
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Exhibition Review: Catherine Wagner: Archæology in Reverse
Roula Seikaly
View Articletitled, Exhibition Review: <em>Catherine Wagner: Archæology in Reverse</em>
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Exhibition Review: Tania Bruguera: 10,145,915
Yoli Terziyska
View Articletitled, Exhibition Review: <em>Tania Bruguera: 10,145,915</em>
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Book Review
Book Review: Hearts and Bones: A Retrospective of Tom Chambers’ Photomontage Art
Judith B. Herman
View Articletitled, Book Review: <em>Hearts and Bones: A Retrospective of Tom Chambers’ Photomontage Art</em>
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All Issues
Termites and Rough Theatre: The Video Art of Daniel Boord
On Social Media Photography: Memorials to Black Lives Matter in Kris Graves’s A Bleak Reality
Review: Strange Hours: Photography, Memory, and the Lives of Artists, by Rebecca Bengal
On the Move: Contemporary Art on Involuntary Displacement, Otherness, and Agency
Plant Power!: A Rebuilding of Women’s Knowledge in the Work of Ann Shelton
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
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