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Volume 44, Issue 1-2
July-Oct 2016
Issue Cover
ISSN 0300-7472
EISSN 2578-8531
In this Issue
ESSAYS & FEATURES
The Geography of the Imagination: Thoughts on the Work of Rick McKee Hock
Keith F. Davis
View Articletitled, The Geography of the Imagination: Thoughts on the Work of Rick McKee Hock
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Written in the Space of the Water: A Conversation with Roberley Bell
Rachel Adams
View Articletitled, Written in the Space of the Water: A Conversation with Roberley Bell
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Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier
Catherine Zuromskis
View Articletitled, Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier
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In Media Res: A Conversation with Philip Mallory Jones
Tiffany E. Barber
View Articletitled, In Media Res: A Conversation with Philip Mallory Jones
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Gaining Identity Through the Archive in Qiana Mestrich's Hard to Place
Amanda Chestnut
View Articletitled, Gaining Identity Through the Archive in Qiana Mestrich's Hard to Place
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Truths and Methods: A Conversation with Michael A. Morris
Steve Cossman
View Articletitled, Truths and Methods: A Conversation with Michael A. Morris
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“Ten Articles, Fifteen Images, and This is the Truth”: On Cristina de Middel's Photobook Publishing
Hester Keijser
View Articletitled, “Ten Articles, Fifteen Images, and This is the Truth”: On Cristina de Middel's Photobook Publishing
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Narrative Artists' Books and the Human Condition: The Work of Philip Zimmermann
Levi Sherman
View Articletitled, Narrative Artists' Books and the Human Condition: The Work of Philip Zimmermann
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INKLIGHT
Becoming River
Keith Johnson
View Articletitled, Becoming River
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PORTFOLIO
Monitored or Recorded
Luna Galassini
View Articletitled, Monitored or Recorded
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Linha Vermelha (Red Line)
Inês Bonduki
View Articletitled, Linha Vermelha (Red Line)
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The Tactile Eye
Mary Ellen Bartley
View Articletitled, The Tactile Eye
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All Issues
Termites and Rough Theatre: The Video Art of Daniel Boord
On Social Media Photography: Memorials to Black Lives Matter in Kris Graves’s A Bleak Reality
Review: Strange Hours: Photography, Memory, and the Lives of Artists, by Rebecca Bengal
On the Move: Contemporary Art on Involuntary Displacement, Otherness, and Agency
Plant Power!: A Rebuilding of Women’s Knowledge in the Work of Ann Shelton
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
  • Copyright © 2024 by The Regents of the University of California. All Rights Reserved.
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