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Volume 36, Issue 2
September/October 2008
Afterimage Cover Image for Volume 36, Issue 2
ISSN 0300-7472
EISSN 2578-8531
In this Issue
REPORTS
Migrations and Mediations
Dale Hudson
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Deus Ex Machina
Robert K. Blechman
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PORTRAIT
Cairo's Avant-Garde
Seth Thompson
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FEATURES
The Evil Eye: Photography and America's Electoral Appeal
Jill Conner
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Variable Capital: A Conversation with Common Culture
David Evans
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Pictures of Home: The Work of Sheila Pree Bright
Bridget R. Cooks
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I Miss You Already: A Phenomenological Understanding of Ken Jacobs's Circling Zero: We See Absence
Dana Anderson
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EXHIBITION REVIEWS
Playing it Straight
Lindsay Caplan
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Stealing a Glance
Harriet Riches
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Toxic Slurry and Pond Scum
Alisia G. Chase
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The Taste of Crowds
J. MacNeill Miller
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Seized and Displayed
Claudia C. Pederson, Nicholas A. Knouf
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Broader Implications
Claudia C. Pederson, Nicholas A. Knouf
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BOOK REVIEWS
Breaking the Wall of Silence
Bruno Chalifour
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Auteurism: True or Faux?
David Kipen
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ETC
Review: I Wish to Say (The Birthday Project), by Sheryl Oring and Dhanraj Emanuel
Chloe Della Costa
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Review: The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory, by Murray Pomerance
Elena Dubas
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Media Received
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Notices
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PORTFOLIO
Inside
Jody Zellen
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All Issues
Perplexity and Anti–Vietnam War Protest in Yoko Ono’s Film No. 4
Algo(rhy)thms
To Assemble Is to Think Through This World: Narrative Desire in the Films of Ana Vaz
Beacon: Epistemologies of the Art Object
Beauty Subliminals
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
  • Copyright © 2025 by The Regents of the University of California. All Rights Reserved.
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