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Volume 21, Issue 8

March 1994

ISSN 0300-7472

EISSN 2578-8531

In this Issue

News
Features
Reviews

News

Afterthoughts: The Parent Trap

View Articletitled, Afterthoughts<span class="subtitle-colon">: </span><span class="subtitle">The Parent Trap</span>

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Missing the Mark

Cylena Simonds

View Articletitled, Missing the Mark

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Features

Reconfigured Nationhood: A Partisan History of the Inuit Broadcasting Corporation

Laura U. Marks

View Articletitled, Reconfigured Nationhood<span class="subtitle-colon">: </span><span class="subtitle">A Partisan History of the Inuit Broadcasting Corporation</span>

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Behind Every Landscape is a Woman: P. H. Emerson’s Anxieties of Class and Gender

John Taylor

View Articletitled, Behind Every Landscape is a Woman<span class="subtitle-colon">: </span><span class="subtitle">P. H. Emerson’s Anxieties of Class and Gender</span>

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Reviews

Repo Woman

Holly Willis

View Articletitled, Repo Woman

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More to Come

Cynthia Chris

View Articletitled, More to Come

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Hybrid Haggling

Babak Elahi

View Articletitled, Hybrid Haggling

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Notices

View Articletitled, Notices

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Cover Image

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Table of Contents

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Sickly Sweet: The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)

Contemporary Black Brazilian Cinema: Off-screen, BlackSpace, and Beyond

Immersion into the Datascape: Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience

Black Brazilian Cinema: Conversations with Filmmakers

Exhibition Review: Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s

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