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Issue
January - Volume 19, Issue 6, Pages 3 - 20
February - Volume 19, Issue 7, Pages 2 - 20
March - Volume 19, Issue 8, Pages 2 - 20
April - Volume 19, Issue 9, Pages 2 - 20
May - Volume 19, Issue 10, Pages 3 - 24
Summer - Volume 20, Issue 1, Pages 3 - 32
September - Volume 20, Issue 2, Pages 3 - 20
October - Volume 20, Issue 3, Pages 2 - 20
November - Volume 20, Issue 4, Pages 2 - 20
December - Volume 20, Issue 5, Pages 2 - 20
Volume 20, Issue 4
November 1992
ISSN
0300-7472
EISSN
2578-8531
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News
Jo Spence 1934— 1992
Bill Gaskins
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titled, Jo Spence 1934— 1992
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Mother Jones International Fund For Documentary Photography Awards
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titled, Mother Jones International Fund For Documentary Photography Awards
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Ball of Confusion
:
Nea Holds Out
Nadine L. Mcgann
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titled, Ball of Confusion<span class="subtitle-colon">: </span><span class="subtitle">Nea Holds Out</span>
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1992 Namac Media Arts Fund Grants
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titled, 1992 Namac Media Arts Fund Grants
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Theoretical Fabrications
Greig Crysler
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titled, Theoretical Fabrications
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Media Literacy
:
Margin To Mainstream
Michael Starenko
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titled, Media Literacy<span class="subtitle-colon">: </span><span class="subtitle">Margin To Mainstream</span>
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What A Little Glue Can Do
Gabriel Gomez
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titled, What A Little Glue Can Do
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Aesthetically Correct
Darrell Moore
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titled, Aesthetically Correct
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Features
Photography as Weapon
:
The Vicissitudes of Photomontage
Steve Kasher
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titled, Photography as Weapon<span class="subtitle-colon">: </span><span class="subtitle">The Vicissitudes of Photomontage</span>
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Pedagogy and The Critical Practice of Photography
Roger I. Simon
,
Henry A. Giroux
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titled, Pedagogy and The Critical Practice of Photography
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Reviews
A Picture’s Worth a Thousand Lies
Joan Delplato
,
Nancy Yanoshak
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titled, A Picture’s Worth a Thousand Lies
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Enabling Sites
David Trend
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titled, Enabling Sites
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Notices
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Table of Contents
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Sickly Sweet
:
The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)
Contemporary Black Brazilian Cinema
:
Off-screen,
BlackSpace,
and Beyond
Immersion into the Datascape
:
Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience
Black Brazilian Cinema
:
Conversations with Filmmakers
Exhibition Review:
Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
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