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Issues

Volume 20, Issue 1
Summer 1992
Issue Cover
ISSN 0300-7472
EISSN 2578-8531
In this Issue

News

White Men Can’t Program the Contradictions Of Multiculturalism
Darrell Moore
View Articletitled, White Men Can’t Program the Contradictions Of Multiculturalism
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Star Spangled Border Nationalism And Racism Side By Side
Jesse Lerner
View Articletitled, Star Spangled Border Nationalism And Racism Side By Side
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1992 Nea Grants To Visual Artists Organizations
View Articletitled, 1992 Nea Grants To Visual Artists Organizations
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Features

Benevolent Assassination: An Interview With Filipino Filmmaker Kidlat Tahimik
Patricia R. Zimmermann
View Articletitled, Benevolent Assassination<span class="subtitle-colon">: </span><span class="subtitle">An Interview With Filipino Filmmaker Kidlat Tahimik</span>
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The Occidental Tourist: Photography And Colonizing Vision
David Bate
View Articletitled, The Occidental Tourist<span class="subtitle-colon">: </span><span class="subtitle">Photography And Colonizing Vision</span>
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Olympia’s Maid: Reclaiming Black Female Subjectivity
Lorraine O’Grady
View Articletitled, Olympia’s Maid<span class="subtitle-colon">: </span><span class="subtitle">Reclaiming Black Female Subjectivity</span>
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Africa: Made in the USA
Christiane Badgley, Mutombo Mpanya
View Articletitled, Africa<span class="subtitle-colon">: </span><span class="subtitle">Made in the USA</span>
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After the Revolution: Post Soviet Photography and the Legacy of Modernism
Peter Laurits
View Articletitled, After the Revolution<span class="subtitle-colon">: </span><span class="subtitle">Post Soviet Photography and the Legacy of Modernism</span>
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The End of Quotation: Bulgaria’s Moment of Truth
Rachel Weiss
View Articletitled, The End of Quotation<span class="subtitle-colon">: </span><span class="subtitle">Bulgaria’s Moment of Truth</span>
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Index to Afterimage Volume 19
View Articletitled, Index to Afterimage Volume 19
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Notices
View Articletitled, Notices
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All Issues
Sickly Sweet: The Scent of Racialized Sexuality in Arnold Genthe’s Old Chinatown Photographs (1896–1906)
Contemporary Black Brazilian Cinema: Off-screen, BlackSpace, and Beyond
Immersion into the Datascape: Ryoji Ikeda’s Data Composition in Screen-Centric Audiovisual Installation and Its Embodied Experience
Black Brazilian Cinema: Conversations with Filmmakers
Exhibition Review: Community of Images: Japanese Moving Image Artists in the US, 1960s–1970s
  • Online ISSN 2578-8531
  • Print ISSN 0300-7472
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