On Sunday, 17 September 2017, Philadelphia's public joined Syrian artist Issam Kourbaj in launching 2,379 miniature tin-foil boats whose number commemorates the days passed since the start of the Syrian civil war. The boats resembled the crowds that filled the streets of Dara'a to protest the torture of students at the beginning of Syria's Arab Spring and consequent civil war, or the 5 million Syrians registered as refugees by the United Nations High Commissioner for Refugees since then. Most tragically, the boats commemorate refugees that have crossed the Mediterranean Sea on fatal rubber dinghies. Kourbaj has staged such serial performances across the world using time, water, fire, and the accumulation of miniature objects as a form of simultaneous commemoration and protest. His installation in Philadelphia directly converses with archaeology and the material culture of Late Antiquity. After we leave the fountain where the boats were launched, we enter the University...
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Spring 2018
Book Review|
March 01 2018
Review: Cultures in the Crossfire: Stories from Syria and Iraq
Cultures in the Crossfire: Stories from Syria and Iraq
, University of Pennsylvania Museum of Archaeology and Anthropology
, Philadelphia, U.S.A.
8 April 2016–26 November 2018.
Kostis Kourelis
Kostis Kourelis
Franklin & Marshall College
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Studies in Late Antiquity (2018) 2 (1): 132–143.
Citation
Kostis Kourelis; Review: Cultures in the Crossfire: Stories from Syria and Iraq. Studies in Late Antiquity 1 March 2018; 2 (1): 132–143. doi: https://doi.org/10.1525/sla.2018.2.1.132
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